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White Pride Music
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First posted: 9 April 2001, Updated 10 April 2001
Dear Friends and Allies: With thanks to J., who picked out some CD's from his music collection to lend to me, I have been listening to recordings of some of the many bands who are Proud To Be White. The pro-White bands use their ingenuity and resources and even endure arrests to provide a much-needed cultural component to replace portions of the "culture" of cognitive dissonance that surrounds us. White Pride music includes fast, and faster rock. It also includes thoughtful songs of dedication and understanding. Even in the small sampling I've listened to, I believe there is variety enough to interest many or most White Racialists. Many of the lyrics in these records deserve appreciation as spoken word art. It would be fun to have impromptu (or more formal) poetry readings featuring the lyric poetry from White Pride Bands (who are often of the heavy metal genre). Of course, any for-profit activity would require royalties to authors and copyright holders. We are White and we have standards to maintain. As far as reading my reviews of records, you may wonder if your tastes are at all similar to mine. My musical background includes training and performance in classical music (e.g. A Cappella and Bach Choirs), theatrical/musical performance, composition of background music for audio theatre and rock and roll (song writing, garage band bass). Perhaps like you, there are many types of music that I enjoy. For those readers who are not at all familiar with White Pride Music, the following are my impressions of just a few of the many recordings available (in no particular order). In general, with familiarity came affection. The more I listened to them, the more I liked them. It was also a great relief to hear lyrics that are relevant to the real challenges for Whites instead of the never ending floods of fatuous crap and multiculti poison sloshed out by record companies whose profit centers include "Kill Whitey" rap music. Please note that European and Australian records are generally available from distributors in the U.S.A. such as Resistance Records , Vinland Records, or Panzerfaust Records. There are also other distributors, including Imperium Records, whose profits apparently go to support prisoner of war support activities. Stormfront has various pro-White music links. To the reviews: Band: Symphony of Sorrow____CD: "Paradise Lost" © Midgard 1999 This CD is a *favorite* of mine. It is melodically and stylistically interesting with atmospheric melodic guitar tracks and driving beat tracks, as well. Modern rock alternative may be an idiom descriptor for this music. In some songs, the contrast of a woman's voice with men singing the chorus is very interesting. The lead vocals are by Saga, whose interview in "Resistance Magazine" (Fall 2000 Issue #13) was delightful. I especially liked her response to a lengthy question about the future of White nations ending with "...Do you think that your nation has a chance of surviving, and thriving?" Saga: "If I didn't think so, then what the hell would I be fighting for? But that's up to us, we have got to take control of our own destiny again." The song "Forward" is the loveliest sung explanation of eugenics I've ever heard:
Band: Dissident____CD: "A Cog in the Wheel" This is another hard rock album--which is most appropriate. The more I listen to this, the more I like it. The choruses are compelling. I like the vocals. It is pleasure to hear the voices of strong men when jewmedia promotes wimps and ninnies as the norm for White men. From "A Cog in the Wheel":
From "Never Break the Oath":
From "All For You (Child of the Sun)":
The lyrics of "Roots of Being" which are adapted from the poem "Roots of Being" by Ron McVan of 14 Words are also compelling. I love the chorus:
Please note: I added the comma after the first Live On so no parasite would mistake the meaning. Rather than me quoting too much of their album without their permission, perhaps you could give it a listen yourself. Band: Ravens Wing____CD: "Through the Looking Glass..." Raven's Wing is an Australian band. The lead singer's somewhat rough vocal timbre is sometimes complemented by fuzz box guitar. This band is another that becomes more interesting with repeated listening. From "Thought and Memory":
Band: Berserkr____CD: "The Voice of Our Ancestors" © Resistance Records 1994 From the back cover: DO RIGHT AND FEAR NO ONE This is driving beat rock and roll. The lead singing is often of the growling timbre. From the song "Got What It Takes":
This refrain from "Southern Vision" is one I appreciate:
Artist: Ken McLellan____CD: "Don't Think Twice" "Don't Think Twice" is an acoustic, working man Folk-song album that touched me and sometimes made me long for a more fully produced version of some songs. Apparently Ken McLellan took time out from his hard rock bands for a an acoustic album with sometimes minimal production. The effect is that of a friend singing for you. One song I particularly like from this CD is "Freedom". The liner notes say (in English spelling): " A traditional Scottish ballad dating back to the 13./14. centuries and the time of William Wallace and Robert the Bruce. Listen and maybe when you feel a little disheartened you can realise we are not the first to struggle and we won't be the last...But can we be as brave???". "Inside of You" is a song I would like to sing with friends. "Let Me Rest (Forever Free)", the song of a slain Viking warrior, is a song I would like to hear with full production. Band: Ken McLellan & Stigger____CD: "Stand" "Stand" is a mix of hard rock and the softer works of these White Pride rockers. "Tears of the Gods" is about rain and rebirth. From "Look Me In The Eye":
"They Call Me", a song about an idealistic soldier being executed for being lost at the front, is sadly ironic. There is some pleasurable guitar work of interesting timbre on this album. Unfortunately, I didn't see any guitarist credited. Band: No Remorse____CD: "The Best of No Remorse" The lyrics of this English band must upset the opposition in the country where bobbies make pre-dawn raids to arrest racialists:
"Living Nightmare", a compassionate song about the rape of a young woman, suggests the death penalty for rape (which I believe is worth considering). The other songs are pro-White, against White racial suicide, and pro-family. "See You in Valhalla" has a chorus that invites joining in:
Band: Max Resist____CD: "Renegade Youth and the Hooligans" From "Max Resist":
Indeed they do. This a Skinhead Rock record with defiant lyrics and loud, fast rock. From "Out on A Limb":
The lyrics of "Boot Party" are about violence. In urban environments where White men are targets for attack by not-Whites (as my brother was shot by blacks), perhaps these lyrics are useful as a warning that young Whites understand how they have been betrayed, and unlike their often submissive elders they would rather go down fighting than live on their knees. These are the kind of lyrics that those who live comfortable lives in gated communities probably would be shocked by. From "Battlecry":
Band: Rahowa____CD: "Cult of the Holy War" Rahowa is the acronym for Racial Holy War. Neo-Classical Gothic Metal is a descriptor used for this band. This CD is an artifact from when George Burdi, aka George Eric Hawthorne, wrote and sang lyrics he later recanted. Apparently, this work was well-respected when it was released in 1995. I know two White Racialists who still say very kind things about George Burdi's previous contribution to pro-White music, even though he now has a multiculti band with blacks and has apparently married an asian indian woman. Since he was apparently well-educated in symbols of White heritage, I suspect George Burdi knew the folklore significance of Oak, Ash and Thorn (hawthorn). How sad that he took a stage name with folk significance and ultimately broke under the pressure of arrest and a jail sentence. The lyrics of this CD are sometimes interesting and often depressing. For me, George Burdi's voice is generally an unappealing growl. I may be influenced by my extremely low opinion of him, however. Of the other musicians who worked with George Burdi, one has joined him in his new multiculti band. Hopefully, the other musicians of Rahowa are still making pro-White music. The following links will provide some information about Rahowa and George Burdi for those who are curious: http://www.whitepowermusic.com/burdi.htm From the Ingrid Rimland Zgrams archives:
Pro-White music is becoming more sophisticated and more easily available. If you enjoy music, please find and buy recordings by the pro-White bands of your choice. Thank you. Sincerely, Elena Haskins Poor Germany. What are the criteria for "hate music"? Does "hate music" against Whites meet the test?
Additional links: A list of Top 100 White Pride music sites: |
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