Wake Up or Die: Our Racial Heritage; The Dying Gaul, Main Page

Never forget...Never forgive...Never again.

Our Racial Heritage:
The Dying Gaul

20 February 2000

Dear White Racialists:

In the Capitoline Museum in Rome is the marble reproduction of a bronze statue made to celebrate the Roman victory over the supposedly barbarian Gauls circa 223 BC.

If you are not familiar with this statue, then please take a few moments to appreciate this work before reading further.

For your convenience, the following is a list of links on this site and others with photos of The Dying Gaul, also known as The Wounded Trumpeter (please use the return button on your browser to return to this page):

Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, His Front from the Left, showing wound to chest
Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, His Front from the Right, showing trumpet on ground
Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, detail of head showing Celtic-style torc
Boston College, Fine Arts: The Dying Gaul, His Front from the Right, color with blue cast
Boston College, Fine Arts: The Dying Gaul, Head and Torso, color with blue cast
Virtual Sculpture Gallery at eekman.com: The Dying Gaul with simulated painted surfaces
On this site: The Dying Gaul, Close-up of His Head
On this site: The Dying Gaul, His Back
On this site: The Dying Gaul, His Left Side

For me, this statue has become a symbol of the perpetration of genocide against White "Gentiles", and most especially, against White male "Gentiles" in jewish financier war after jewish financier war and through the promotion of hate against White male "Gentiles", while displacing them from own nations.

I also take inspiration from this statue. The magnificent Gauls or Celts, who went to battle naked except for the golden torc around their necks, were betrayed and killed over centuries, and yet they continued to fight.

A description of The Dying Gaul from the Sculpture Gallery (one of various sites that sell reproductions of the statue) is:

"The Dying Gaul depicts a wounded Celtic warrior who lies upon the earth awaiting death. It was found in the gardens which had belonged to Sallust, a Roman historian. The statue is a Roman copy of one of the bronze statues dedicated at Pergamon by Attolos I in commemoration of his victories over the Gauls who had invaded Asia Minor in 239 B.C. Fourth and fifth century Greek sculpting had never depicted such a subject. It must have been a startling innovation at the time of its creation. The moustache, matted hair and twisted collar identify the warrior as a barbarian. He supports himself on one arm as his strength ebbs away. With the realism characteristic of Hellenistic art, his skin appears hard and dry, the muscles heavy in contrast to the ideal Greek type. Blood oozes from the open wound. However, the sculptor introduces these realistic touches with artistic restraint. Such details only make the artist's intent more clear. It is a concept that goes beyond physical pain to speak of the anguish of defeat which destroys the spirit rather than the flesh."

Since the available historical versions of these battles were written by the enemy, knowing exactly what happened and why it happened can be a challenge.

According to University of Wisconsin-Madison Assistant Professor Nick Cahill's description, the timeline regarding this statue is:

"1) In 279 BC Gauls (Celtic tribes from Europe) invade Greece, sack Delphi, invade Asia Minor. Hold Asia Minor hostage either by raiding or by extortion by threats of raids, most cities have to buy them off for years.
2) In 230's, when the Gauls attack Pergamon, Attalos I defeats them, and then in 228-223 BC campaigns against them, defeats them, and 'saves Greece'. Cf. the Athenians saving the Greeks from the Persian threat.
3) Sets up victory monuments in the sanctuary of Athena at Pergamon, on the Acropolis at Athens, and other places. Groups of Gauls being defeated by Pergamenes.
4) Originals not preserved. Copies in Rome, of partial figures, not of whole groups. Original locations of these copies is debated. Generally dated ca. 220 BC, after victories."

Of course, the logical question is what happened before 279 BC? What preceded the time of the statue of The Dying Gaul? The corrupted-by-multi-culturalism Romans were disastrous for the magnificent Celts. Perhaps the following paragraph gives a clue.

"By the end of 54 B.C. Gaul was in ruins, with more than three million of her best warriors dead or enslaved and 800 hill forts and villages razed to the ground. In the wake of the legions came the slavers, hurrying to make a quick profit. This trade already was dominated by Levantine immigrants, notably Jews and Syrians. No doubt these racial aliens, then as now, found the blondest girls the most desirable and the most profitable. As the flower of Gaul's youth were driven in chains to the slave markets of Rome, Ambiorix, king of the Eburones, led an attack on a Roman fortress on the middle Moselle. The uprising spread like wildfire throughout the most purely Celtic north and center of the country. The desperate Celts adopted scorched earth tactics to deny the invaders food, and for two years the struggle hung in the balance. No quarter was given on either side: after seizing the rebel town of Avaricum, Caesar ordered that every one of its 40,000 inhabitants be put to the sword. The hideous torture of Celtic prisoners was routine. The struggle for freedom had become a fight for survival." (from "The Celts" by Nick Griffin, available on the National Alliance site, linked below. Emphasis mine)

Never forget. Never forgive. Never again. I want these words at the bottom of every photograph and image of magnificent White "Gentiles" degraded and murdered by those who hate our race.

Never forget. Never forgive. Never again.

Bless Our Beautiful and Noble White "Gentile" Race.

Sincerely,

Elena Haskins

The excellent article by Nick Griffin on the Celts can be found at the following:

The Celts, Part I: Their Origins and Prehistory by Nick Griffin:
www.natvan.com/national-vanguard/115/celts1.html
mirror site:
www.natall.com/national-vanguard/115/celts1.html

Part II: Celtic Folkways and the Clash with Romans and Germans by Nick Griffin:
www.natvan.com/national-vanguard/116/celts2.html
mirror site:
www.natall.com/national-vanguard/116/celts2.html

Copyright © 2000 Elena Haskins.
Reproduction in part or whole strictly prohibited without advance written permission.
All Rights Reserved.

Friends and Allies Only Email to: NotAZombie@aol.com

Note to vampire jews and their useful idiots with computers:
I do not reply to abusive email.
Threats and/or obscene email will be forwarded to your
Internet Provider and appropriate authorities, if necessary.

Return to Our Racial Heritage

Return to Site Table of Contents

If you don't like my

don't shake my tree.


	Our Racial Heritage: The Dying Gaul
	20 February 2000 Dear White Racialists: In the Capitoline Museum in Rome is the marble reproduction of a bronze statue made to celebrate the Roman victory over the supposedly barbarian Gauls circa 223 BC. If you are not familiar with this statue, then please take a few moments to appreciate this work before reading further. For your convenience, the following is a list of links on this site and others with photos of The Dying Gaul, also known as The Wounded Trumpeter (please use the return button on your browser to return to this page): Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, His Front from the Left, showing wound to chest Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, His Front from the Right, showing trumpet on ground Minneapolis College for Art & Teaching, Art Images for College Teaching: The Dying Gaul, detail of head showing Celtic-style torc Boston College, Fine Arts: The Dying Gaul, His Front from the Right, color with blue cast Boston College, Fine Arts: The Dying Gaul, Head and Torso, color with blue cast Virtual Sculpture Gallery at eekman.com: The Dying Gaul with simulated painted surfaces On this site: The Dying Gaul, Close-up of His Head On this site: The Dying Gaul, His Back On this site: The Dying Gaul, His Left Side For me, this statue has become a symbol of the perpetration of genocide against White "Gentiles", and most especially, against White male "Gentiles" in jewish financier war after jewish financier war and through the promotion of hate against White male "Gentiles", while displacing them from own nations. I also take inspiration from this statue. The magnificent Gauls or Celts, who went to battle naked except for the golden torc around their necks, were betrayed and killed over centuries, and yet they continued to fight. A description of The Dying Gaul from the Sculpture Gallery (one of various sites that sell reproductions of the statue) is: "The Dying Gaul depicts a wounded Celtic warrior who lies upon the earth awaiting death. It was found in the gardens which had belonged to Sallust, a Roman historian. The statue is a Roman copy of one of the bronze statues dedicated at Pergamon by Attolos I in commemoration of his victories over the Gauls who had invaded Asia Minor in 239 B.C. Fourth and fifth century Greek sculpting had never depicted such a subject. It must have been a startling innovation at the time of its creation. The moustache, matted hair and twisted collar identify the warrior as a barbarian. He supports himself on one arm as his strength ebbs away. With the realism characteristic of Hellenistic art, his skin appears hard and dry, the muscles heavy in contrast to the ideal Greek type. Blood oozes from the open wound. However, the sculptor introduces these realistic touches with artistic restraint. Such details only make the artist's intent more clear. It is a concept that goes beyond physical pain to speak of the anguish of defeat which destroys the spirit rather than the flesh." Since the available historical versions of these battles were written by the enemy, knowing exactly what happened and why it happened can be a challenge. According to University of Wisconsin-Madison Assistant Professor Nick Cahill's description, the timeline regarding this statue is: "1) In 279 BC Gauls (Celtic tribes from Europe) invade Greece, sack Delphi, invade Asia Minor. Hold Asia Minor hostage either by raiding or by extortion by threats of raids, most cities have to buy them off for years. 2) In 230's, when the Gauls attack Pergamon, Attalos I defeats them, and then in 228-223 BC campaigns against them, defeats them, and 'saves Greece'. Cf. the Athenians saving the Greeks from the Persian threat. 3) Sets up victory monuments in the sanctuary of Athena at Pergamon, on the Acropolis at Athens, and other places. Groups of Gauls being defeated by Pergamenes. 4) Originals not preserved. Copies in Rome, of partial figures, not of whole groups. Original locations of these copies is debated. Generally dated ca. 220 BC, after victories." Of course, the logical question is what happened before 279 BC? What preceded the time of the statue of The Dying Gaul? The corrupted-by-multi-culturalism Romans were disastrous for the magnificent Celts. Perhaps the following paragraph gives a clue. "By the end of 54 B.C. Gaul was in ruins, with more than three million of her best warriors dead or enslaved and 800 hill forts and villages razed to the ground. In the wake of the legions came the slavers, hurrying to make a quick profit. This trade already was dominated by Levantine immigrants, notably Jews and Syrians. No doubt these racial aliens, then as now, found the blondest girls the most desirable and the most profitable. As the flower of Gaul's youth were driven in chains to the slave markets of Rome, Ambiorix, king of the Eburones, led an attack on a Roman fortress on the middle Moselle. The uprising spread like wildfire throughout the most purely Celtic north and center of the country. The desperate Celts adopted scorched earth tactics to deny the invaders food, and for two years the struggle hung in the balance. No quarter was given on either side: after seizing the rebel town of Avaricum, Caesar ordered that every one of its 40,000 inhabitants be put to the sword. The hideous torture of Celtic prisoners was routine. The struggle for freedom had become a fight for survival." (from "The Celts" by Nick Griffin, available on the National Alliance site, linked below. Emphasis mine) Never forget. Never forgive. Never again. I want these words at the bottom of every photograph and image of magnificent White "Gentiles" degraded and murdered by those who hate our race. Never forget. Never forgive. Never again. Bless Our Beautiful and Noble White "Gentile" Race. Sincerely, Elena Haskins The excellent article by Nick Griffin on the Celts can be found at the following: The Celts, Part I: Their Origins and Prehistory by Nick Griffin: www.natvan.com/national-vanguard/115/celts1.html mirror site: www.natall.com/national-vanguard/115/celts1.html Part II: Celtic Folkways and the Clash with Romans and Germans by Nick Griffin: www.natvan.com/national-vanguard/116/celts2.html mirror site: www.natall.com/national-vanguard/116/celts2.html
	Copyright © 2000 Elena Haskins. Reproduction in part or whole strictly prohibited without advance written permission. All Rights Reserved.
	Friends and Allies Only Email to: NotAZombie@aol.com Note to vampire jews and their useful idiots with computers: I do not reply to abusive email. Threats and/or obscene email will be forwarded to your Internet Provider and appropriate authorities, if necessary.
	Return to Our Racial Heritage
	Return to Site Table of Contents
	If you don't like my don't shake my tree.

Our Racial Heritage: The Dying Gaul

Our Racial Heritage:
The Dying Gaul